BUY THE STANDARD EDITION HERE Bluray Cover for I Am a Nymphomaniac Writer/director/producer Max Edouard Louis Pécas (known professionally as Max Pécas) was born in Lyon in the south of France in 1925 and died in Paris in 2003. He entered the film business as an assistant director on films shot around Nice and Cannes in the 1950s. Moving to Paris, he made his first film as director - Vicious Circle - in 1959. A low budget, Hitchcockian thriller, the film was successful, export

BUY THE STANDARD EDITION HERE The Joy of Sex Bluray from Cinématographe Released in 1972, The Joy of Sex was a sex manual aimed at helping the general public embrace the sexual revolution and find more satisfaction in their sex lives. Modeled off of the popular cookbook, The Joy of Cooking, the cheeky manual borrowed the red font and elegant look of the culinary classic's cover, as well as its organizational style. Chapters on foreplay, oral sex and sexual positions were foun

BUY THE STANDARD EDITION HERE The Joy of Sex Bluray from Cinématographe The 1980s saw a new wave of female filmmakers in Hollywood, women who directed mainstream hits that would come to be known as some of the defining films of the decade. Directors like Amy Heckerling, Penny Marshall, and Susan Seidelman (to name a few) managed to square a seemingly tricky circle, making films that told stories from women's perspectives while also finding success at the box office. Another o

BUY THE STANDARD EDITION HERE The Joy of Sex Bluray from Cinématographe Being a teenager never looked as fun as it did in the 1980s... at least, in the movies. The decade that gave us Ronald Reagan conservatism and marked the arrival of the AIDS epidemic is seen most often through the lens of its pop culture. But when high schooler Leslie Hindenburg (Michelle Meyrink) is asked by her little sister, "I thought high school was supposed to be the greatest time in your life?" in

BUY THE STANDARD EDITION HERE The Fun City Edition Bilitis Bluray In the 1960s, photographer David Hamilton's specific style—nude girls and young women shot in natural landscapes with a soft focus filter—were in high demand in both the art and fashion worlds. His work was particularly in vogue in the '70s, thanks in part to the sudden popularity of both softcore erotica and hardcore pornography to come in the wake of films like Ultimo tango a Parigi (Last Tango in Paris, 1971

BUY THE STANDARD EDITION HERE Bluray of New Rose Hotel by Cinématographe When New Rose Hotel premiered, Abel Ferrara was at the end of a very impressive run. These were the years when he was furthest from the margins of American film culture, working with stars and at least something of a budget, heir to a tradition of Italian American filmmakers and pushing his films in a rawer direction. Comparisons with Martin Scorsese, which people would rarely make now, used to pop up so

BUY THE STANDARD EDITION HERE I propose a challenge: should we ever meet, tell me the exact sequence of events in Abel Ferrara's New Rose Hotel without stumbling or doubling-back or confusing any people, places, or entities, and do so to such an extent that I am completely certain what happens in this film I have gladly seen four times. Manage this and you will forever live in my mind as a genius (and I'll throw in a drink of your choice). It's embarrassing to admit you can't

BUY THE STANDARD EDITION HERE New Rose Hotel Bluray art from Cinématographe 1998's film adaptation of New Rose Hotel, with its barrage of histrionic outbursts from the three leads, lo-fi locales, and pulsating sexuality is clearly the work of later-career Abel Ferrara. The film meshes near perfectly with the video art-forward, similarly performance obsessed The Blackout from the year prior—offering an aesthetically (perhaps spiritually) tethered double feature about men in p

This article was written by Robert Berry in February, 1993 for publication in Filmfax. It was never printed. Bleeding Skull is thrilled to present the article here for the first time ever. House of Dreams is unique and one of the first of its kind... a feature-length film made for less than $10,000.